All that is past possesses our present

"All that is past possesses our present", The Magus, pg 311

This simple quotation explains an extreme truth in that everybody is made up of their past.  Without our past, we would not know who we really are or where we are going in life.  When I think of my own past, I think of where I've lived, the friends I've made, my family, all my personal and heartfelt experiences I've had either good or bad, and how all of these have had a deep impact on my life and how it has lead me down the path to where I am today.  Without these elements in my life, I would be a completely different person: I would lose the traits that I have gained such as being outgoing, humorous, caring or even respectful. I am extremely thankful for everything that has occurred in my past fore it has made me the smiling and caring friend, son, nephew and student that I currently am.  Of course I have made my share of questionable decisions which may not have been the smartest, but I am not afraid to admit that I regret nothing, I wouldn't change anything about my past for the world.  'All that is past possesses our present' is the perfect explanation of how we have become.  It is not terrible to recollect the memories of our younger days, but it is extremely harmful to dwell on the decisions we have made. Suffering over the past does not allow for further development, it prevents us from growing and ties us down to that moment of time.  If one were to learn any lesson from this, it would be that a person carries their past around with them all of the time, but they must only focus on the present and the future.

Final Exam Notes

Group 1: How many versions of myth are there? -infinite

Group 2: Who was oprah compared to? -Zeus

Group 3: Where did group 3 get their title of their presentation, The Shameful Truth? -the title of the magus' silent film

Group 4: What was the saying that ended group 4's presentation? -"Thats all folks!"

Group 5: What was the song called that played during group 5's credits? -White Wedding by: Billy Idol

Group 6: What were the different characters in group 6's presentations? -Pirate, Irish, Viking, Cowboy, Egyptian and Chinese

Every answer is a form of death

When a young person dies, it is an occasion to mourn. 

The Ritual of Adonis

• The story of the Ritual of Adonis can be found at this website: http://www.bartleby.com/196/79.html

• Logos= the peoples Word
• the creative word
• Fiction= to make
• Sacri= sacred
• HOW DID IT ALL BEGIN?
• We end where we begin

• Chapter 45, page. 311 The Magus
• "All that is past possesses our present"
• The precedent is behind every action = All that is past possesses our present
• A person carries their past around with them all of the time they must only focus on the present and the future

• Masque
•  certain type of theatre- plays put on in peoples houses
• Quotidian
• usual, customary, everyday, ordinary
• Collective Unconscious
•  the collective is collective, impersonal; collects and organizes personal experiences in a similar way that each member of a particular species collects their experiences
• pass from a personal unconscious to the collective unconscious
• Taoism
• the mechanism that everything exists; the word Tao means way, path or principle

• Eliade 
• Speculations on Man and God: The Ultimate Reality - Chung Tzu and the Butterfly
• 
  • "Once upon a time, Chuang Chou dreamed that he was a butterfly, a butterfly fluttering about, enjoying itself. It did not know that it was Chuang Chou. Suddenly he awoke with a start and he was Chuang Chou again. But he did not know whether he was Chuang Chou who had dreamed that he was a butterfly, or whether he was a butterfly dreaming that he was Chuang Chou. Between Chuang Chou and the butterfly there must be some distinction. This is what is called the transformation of things.
  • 
    • In the god game, everything is fiction.
    • Orpheus and Eurydice- Eurydice and Orpheus get married. Soon after Eurydice steps on a snake and dies. Orpheus goes to the land of the dead, he plays his guitar and convinces Hades to give him back his wife. Hades says yes but on one condition Orpheus cant look back to see if his wife is following him. Of course right before he is out of the underworld Orpheus looks back and sees his wife but she returns to the underworld forever.
    • 
    • Discovering the Truth About Santa: I can't remember when I learned the truth about Santa. I just remember asking my parents if he was real and they told me that if I believe in him then he is, and if I don't then he is not. This made me mad because I wanted a real answer. Every year we still get presents from Santa and I like that because it keeps the myth alive.

    
    

    • The Bhagavada Gita
    • I am reading this for one of my other classes that I'm taking. The situation that started the war was over which son got the throne when their father died. The king of the land was getting old so his oldest son was supposed to take over the kingdom but he was blind, so the younger son took the throne. The blind older son was upset about this and tried to take back the throne by trying to kill his brothers family. He succeeded in getting the kingdom, but not in killing his brother. Both families fought and tried to out smart the other. At one point a member of each family gambled. The person that lost would have to go into the woods with their family and live in exile for 15 years. The youngest son's family lost and was sent to the woods. After 15 years they were supposed to get the kingdom back but when the time came the blind older brother would not give up the throne. Then the war began. Arjuna (the warrior in that video we watched in class) is the son of the youngest son. This family is know as the good family and the other family is evil. Arjuna is a great warrior and Krishna (God) is telling him that he has to fight in the war. Arjuna does not want to fight because he does not want to kill his own family members. Krishna tells him that he is supposed to fight because that is his duty as a warrior. Also, that when a person dies only their body dies, there soul lives on. Death is only a part of life. Throughout the Gita Krishna make many arguments to make Arjuna change his mind about fighting. This ends up to be a pointless act because Krishna is God and he is the one that decides who lives and who dies. Arjuna eventually ends up fighting in the war and his family wins the battle.

The Labyrinth and the Minotaur of the Mind

The Labyrinth and Minotaur of the Mind

     Throughout all of mythology, there is a message or lesson to be learned from every imaginable story; one such myth pertaining to an extreme self-conquering lesson is that of the myth of the labyrinth. As Don Williams, Jr. has said, “The road of life twists and turns and no two directions are ever the same. Yet our lessons come from the journey, not the destination.”  The idea of the labyrinth pertains to multiple ideas or settings; In Greek mythology it is the setting of Theseus’ journey to slay the Minotaur, Nicholas Urfe’s labyrinth within The Magus is a realm in which he must conquer himself and unveil his mask of uncertainty, but for all it is a maze created through the minds restrictions offering a journey that must be accepted in order to defeat their demons and overcome the fear of the unknown. 

     After the death of King Minos’ son Androgeus at the hands of the Pallantides in Athens, Minos demanded that King Aegeus of Athens hand over his son’s assassins, but not knowing who they were the town is quickly handed over and an order is given in which every Great Year, the seven most courageous youths and the seven most beautiful maidens were to be sent to Crete as a sacrifice to be devoured by the Minotaur, a half-man, half-bull that lived in the Labyrinth created by Daedalus.  Theseus, feeling enraged against the ruling of the sacrifice of these unfortunate victims, volunteers to take the place of one of the youths so that he may travel to Crete and slay the Minotaur;  When he returns he shall switch his sails from black to white as long as he is successful. On his arrival to Crete, King Minos’ daughter Ariadne falls deeply in love with Theseus and offers to help by giving him a ball of thread so that he may complete his objective and exit the Labyrinth without getting lost; if successful, he promises to take Ariadne back to Athens and marry her.  Once inside, Theseus follows Daedalus’ instructions given to Ariadne which is to go forward, always down and never left or right.  He then arrives at the heart of the Labyrinth waking the sleeping beast and after a tremendous struggle, he successfully slays the Minotaur.   After decapitating the monster, he uses the string to escape the Labyrinth along with the young Athenians, as well as Ariadne and her sister Phaedra, but while leaving early the next morning Theseus realizes he has forgotten Ariadne on the beach on becomes extremely stricken with distress.  “Returning from Crete, Theseus forgets to lower the black sails, and Aegeus kills himself by leaping from the Acropolis.  It’s the last footnote to the displacement of the sacrifice,” (Calasso 21,22).  Throughout the story of Theseus and the Minotaur, there are several lessons to be learned.  The involvement of Ariadne was extremely important in that Theseus would not have made his way out of the Labyrinth without her which shows that if one cannot do something on their own it is never a bad thing to ask for help.  Daedalus’ instructions offer a deeper meaning of always keeping ones eye on the prize; continue down the path of the journey and avoid any unnecessary distractions which may lead them astray. One final message to be considered is portrayed through the death of Theseus’ father on his return from Crete sailing with the wrong color sails;  even though one may be successful on their journey, they must not become forgetful or so full of their self because it will come back to harm them in the end.  For Theseus, the Labyrinth offered a journey which provided him with many lessons to be learned, a journey which is equally significant to Nicholas Urfe.

     Introduced at the beginning of The Magus is a lonely and indecisive character by the name of Nicholas Urfe who is marked with several personal troubles while living in London.  After relations with his girlfriend become increasingly serious, he decides to abandon her in by accepting a post-teaching job on the Greek island of Phraxos only to become even more bored, depressed and disillusioned.  Struggling with loneliness and suicidal thoughts, he is eventually drawn to the mysterious Maurice Conchis who in return offers his paradoxical views on life and presents Nicholas with multiple psychological games, slowly pulling him into his ‘godgame’, a labyrinth in which Nicholas must journey to the center of his psyche and defeat his own Minotaur.   “The smallest hope, a bare continuing to exist, is enough for the anti-hero’s future; leave him, says our age, leave him where mankind is in its history, at a crossroads, in a dilemma, with all to lose and only more of the same to win; let him survive, but give him no direction, no reward; because we too are waiting, in our solitary rooms where the telephone never rings, waiting for this girl, this truth, this crystal of humanity, this reality lost though imagination, to return; and to say she return is a lie” (Fowles 645). The representation of Nicholas’ Labyrinth and Minotaur are different from that of Theseus’ in that they are portrayed as a psychological demon that he must journey through in order to overcome.  To truly understand the meaning of this, one must break down what these obstacles really are.  The labyrinth is a maze created through the mind’s restrictions, representing confusion, feeling of being lost, indecision and fear itself.  In a maze, there are no sign posts so one does not know which direction to go, relating to the inability of knowing the uncertainty of the future.  Rather than following the current path, one must lead with their inner sensation that is urging for change to better itself and proceed through a difficult journey of the unknown for the result of the soul’s perfection, supreme satisfaction. The Labyrinth is essentially a part of life, requiring one to become unafraid to make their journey in order to conquer their fears.  The Minotaur represents the beast within, the side that is uncertain, fearful, that which destroys hopes and dreams.  It is the ultimate obstacle that must be confronted, the obstructer of the minds full potential.  This could be represented through all of society, by those who are depressed, never see a way out, feel despair for their lives and depression, even those fearful for what the future has to offer.  Nicholas was successful in his journey through his realm, losing his mentality of being fearful and indecisive and gaining an eye-opening sensation of self-confidence, as well as the ability to make his own decisions for what is best for him. 
     The idea of the Labyrinth and the Minotaur is the ultimate test for ones inner strength and personal will-power; it provides the mind with an extremely difficult journey that when conquered, offers a reawakening of the self.  One final lesson is provided by Fowles on page 645, “But the maze has no centre.  An ending is no more than a point in sequence, a snip of the cutting shears.” Life is made up of countless journeys each resulting in a new lesson to be learned, but the most important message to be remembered is that it does not matter where the destination is, but rather the journey in which it took to get there; as soon as one journey is thought to be over, the next is just around the corner.

Realization of Life and Mythology

As the group presentations have come to an end, it appears that the entire class has gained a valuable interpretation of how mythology has taken its place in the worlds past, present and ultimate future.  On the first day of class, I found myself a little weary on the understanding of mythologies role in the world, thinking of it more as a religion rather than inspiration, but through the knowledge I have gained thanks to Mr. Sexson my eyes have been opened to the reality that most successful novels, films, and TV shows actually relate their themes, characters and actions depicted to mythological characters and their stories.  I originally believed that this would be a daunting process in relating an everyday story to previous mythological stories until I was presented with the task of creating my own short story depicting the actions of the hero Jason and altering his stories to that of a believable journey presented in todays world.  Although my new story did not seem as magical or inspiring, the transformation between the two was rather easy and seemed much more believable.  It was simply a connection of proceeding on a quest to achieve a certain purpose which inevitably introduces new characters and objectives which alter the story, this being a common trait in almost all mythological stories.  After such an assignment, I find it much easier to distinguish the similarities between epic mythological stories to the lives presented in my everyday life providing me with an ultimate truth: life is mythological and is bound to continue for an eternity.

An Introduction to Growth - Nicholas and I

'With no company but my own boredom, I began for the first time in my life to look at nature, and to regret that I knew its language as little as I knew Greek.  I became aware of stones, birds, flowers, land, in a new way, and the walking, the swimming, the magnificent climate, the absence of all traffic, ground or air - for there wasn't a single car on the island, there being no roads outside the village, and aeroplanes passed over not once a month - these things made me feel healthier than I had ever felt before. I began to get some sort of harmony between body and mind; or so it seemed.  It was an illusion' (Knowles pg 52/53).

This is one paragraph in the book that I can completely relate to.  It is depicting Nicholas' new opening of the mind by leaving London and moving to Greece which presents a change of scenery, one he is not normally used to.  He has just left Alison back in London so he is back to being lonely in an entirely new world which can only offer new adventures he would not have been offered before.  This reminds me of myself, my journey from growing up and graduating high school in California to jumping instantly into the lifestyles of Montana, two completely different lifestyles.  Coming from a big city, I was not used to this enormous amount of nature and outdoor activities, let alone the different personalities that I was bound to meet.  Initially, I felt life was much easier than it actually was, as if it was already planned out and was supposed to be handed over to me on a silver platter, as though I was just going through the expected notions of me.  It wasn't until I came to this new land, not knowing anybody or what to expect by starting a new school, that I realized I am the one controlling my life; nothing is simply handed over, I must learn and change my way of living to ultimately grow as a person and develop my personality to better myself.  I can clearly see that my friends that stayed home have grown as well, but through my experience I was forced to meet new people, to express myself in a way that allow me to be most comfortable with where I am in life, to be responsible and grow into the adult that is ultimately expected.  But the the one line within Knowles' paragraph that really stood out to me was the final submission, 'it was an illusion'.  I did not need to come to Montana to become the person I am today.  I agree that it provided an experience like no other that none of my friends back home have gone through and I certainly grew from my past 4 years in being in this new land, but all it really was is a new location, one I was not used to.  It will be forever remembered, but rather than my location - only I can be the true depiction of me, myself and I.

vs.

The unveiling of masks

One of the main themes that I felt this novel covered pretty well is that of an 'unmasking' in order to get at the essential core within a person.  There is this dramatization within the masks that each of these various personas wear which is presented through this 'godgame' where Maurice Conchis is the magus, or the magician, which brings forth the actors and actresses and then proceeds to 'unmask' them as they proceed to take on their new roles. Nicholas, who is the protagonist of this novel, is destined to become the hero but in the beginning he is very uncertain with himself so he must be tempted into this realm in order to release or gain a newfound knowledge that can only be found within his self. Having left because of the complications of love, he is easily tempted by none other than that a beautiful, young and mysterious woman, Lily, a character that adopts multiple masks based off of Nicholas' personalities and challenges his cynical view on life. 

Nicholas is ultimately unmasked in the end which allows him to be reborn into this previously unknown higher state of consciousness which opens his eyes to who he really is, presenting a sense of stripping away appearances in order to unveil essential truths. He has gained the ability to choose and in turn Nicholas learns how to be free.

exam #2 study guide

Calasso: pg. 209-212 (four stories to the quaternity--much like Myers-Briggs test), Zeus (thinking) Athena (sensation) Dionysus (feeling) Demeter (intuition)  also talked about in terms of space. Zeus (up) Athena (out---civic-polis-community) Dionysus (down, not thinking, pure feeling, thonic diety-relating to the underworld) Demeter (in function)

Narcissus flower
Kore---maiden
the tripartite goddess-- maiden mother crone

244--chapter 8 the Elusynian mysteries...

the supremacy of the visible

336-we see now as through a glass darkly...
daylight and light as important metaphors in homeric theology
"let me look at the light one last time"-- Ephiginea
"do it in the sun"--Odysseus
pg 359--Zeus has prepared a woeful destiny for us...so that in the future we might be sung of for the bards"

the blues...Robert Johnson
we suffer so people can write blues songs about us...
 383-(387)390- Definition of mythology as the precedent behind every action
invasion of the mind and the body vs. a convivial
the necklace from Aphrodite
to invite the gods ruins our relationship with them.
to invite the gods creates disasters...
Cadmus becomes the founder of the city of Thebes....sets in motion a series of disasters
gave the greeks the gift of fly's feet
brought vowels and consonants...gave them the alphabet
all of his daughters turned out badly

the great Pan is dead
WB Yeats poem
Dionysus from the Bacchae
Eleusynian material
Tarboleum


what does spiritus mundi mean?
--spirit of the world
in the marriage of cadmus and harmony, what two animals were drawing the couples chariot?
--the lion and the boar
What country are the nacirema tribe from?
--America
Which of the three things important at the elusinian mysteries was important to the theater?
--the thing done (dromenon/drama)
The word psychology is not the study of the mind, but of the?
---soul
pg 204 calasso
---Persephone
What is the basis of our present legal system?
--story of Orestes
In mythology there is a night where women beat men with sticks--what its it?
--tete toge (day of the dead)
What is the animal that is associated with the tarboleum?
--A bull
What makes something sacred?
--it has to be made sacred, they don't come that way
According to your instructor, the real hero is?
--us (me)
Jame's joyce's novel which talks about an ordinary person is based on?
--Odysseus
It always starts with a ___ and a _____
--a girl and a bird
What is the greek image for the soul?
--butterfly
What did Zeus injest when he ate the mother of athena?
--Metis (wisdom)  Athena born from his head
WHich word best typifies a space cared out in which sacred rituals are carried out?
--Temenos
WHo is the god of the double door and what does it mean? (Dithyramb(os))
--Dionysus--born twice, once of a mother Semele, and from Zeus' thigh...he wants you to see double
--Dithyramb (os)

Diomone--Demon, the angel of your better nature...now in the religious age, it means demonic
What was said to end the pagan world and initiate the religious age
--great Pan is dead
Whats the difference between gods and heroes?
--mortality--the gods don't die...
ON what occassion do the furies get pissed?
--kill your mom (blood murder)
What is the psychological development of the femenine?
--story of psyche and eros
Which ritual was repeated many times during our presentations?
--the australian rain making ritual
What is the name of the peasant girl that the king threw a sandal at?
--charila  re-read this passage....163
---answer is Antigone
What is the root behind senator?
--Senex

an image that is presumably universal...but found most clearly in myth and fantasy

---archetype (mythological typologies)
22 points of the hero formula
WHo covers most more than anyone? Oedipus
What christian ritual did we discuss that had to do profoundly with death and rebirth?
--baptism
Why did demeter put the baby in the fire?
to make him immortal
If you have someone in your family who is a daddys girl, who is she modeling?
Athena

Mythology under our noses

For centuries people have spoken of the Greek myths as of something to be rediscovered, reawoken.  The truth is it is the myths that are still out there waiting to wake us and be seen by us, like a tree waiting to greet our newly opened eyes.  (Calasso pg 280).

I felt this quote was necessary considering mythology plays an important role in everyday life, relating to nearly everything even though most people have no idea.  After doing some quick research, I found a few examples of mythology being right underneath our noses.

Names in astronomy are pure mythology.  Almost all the known constellations and the twelve signs of the Zodiac are named from mythological stories, as are the planets and their satellites.

Mercury, the swift messenger of the gods, also gave his name to a chemical element which is remarkable for its fluidity.  The names of other chemical elements are also taken from mythology because of their characteristics.  For instance, Tantalus was punished by having water just touch his lips while he starved eternally of thirst.  So we have the chemical element tantalum, which cannot absorb acid.  And Tantalus has a daughter Niobe.  Thus we get the chemical element niobium - because it is found in connection with tantalum.

In psychology such designations as the Oedipus complex and narcissism are lifted directly from mythological stories.  Geology contains such terms as pluton for a rock surface underground (Pluto was the god of the underworld) and neptunian rock which is produced by the action of water on a substance (Neptune was a god of the seas).

October 20th class notes

RITUALS:

1) Eric - Rainmaking

2) Stephanie - Mourning Dead Cats (Egyptian Book of the Dead)

3) Courtney - Egyptian Mummification

4) Christine Balsley - Aztec New Fire Ceremony

5) Lucy K. - Smudging Ritual

6) Jerrod M - Blood Initiations

7) Sherwood - Rainmaking

8) Zachary Mayer - Bullet Ant Gloves

9) Matthew - Nacirema - Democratic Ritual

10) Jason - Taurobolium

11) Bailey G - Mayan Ritual / Human Sacrifice

12) Darrel S - Spartan Marriage

13) Jessica T - Seppuku Japanese Ritual Suicide

14) Jenny - the Mary Month of May

       ------> Corona - Coronis fable wife of Apollo/ obsessed with crown

15) Rosemary C - Dia de los Muertos

       ------> Under the Volcanoe (Day of the Dead) - Book

                  - Film by John Houston

16) Tori T - Frozen Dead Guy

17) Jill Y - Eastern Star Ritual

18) Madison C - Rainmaking

19) Parker D - Bridger Whale

20) Sam M - Beowulf Funeral

21) Theresa B - Bear Ceremony

22) Andrew O - Irish Wedding Ritual

23) Kevin E - Phuket Vegitarian Festival

24) Wena T - Chinese New Year

25) Ashley R - Family Tradition/ Night Before Christmas

Initiation into the Mysteries of Cybele

Initiation into the Mysteries of Cybele - the Taurobolium 

The high priest who is to be consecrated is brought down under ground in a pit dug deep, marvellously adorned with a fillet, binding his festive temples with chaplets, his hair combed back under a golden crown, and wearing a silken toga caught up with Gabine girding.

Over this they make a wooden floor with wide spaces, woven of planks with an open mesh; they then divide or bore the area and repeatedly pierce the wood with a pointed tool that it may appear full of small holes.

Hither a huge bull, fierce and shaggy in appearance, is led, bound with flowery garlands about its flanks, and with its horns sheathed; Yea, the forehead of the victim sparkles with gold, and the flash of metal plates colours its hair.

Here, as is ordained, the beast is to be slain, and they pierce its breast with a sacred spear; the gaping wound emits a wave of hot blood, and the smoking river flows into the woven structure beneath it and surges wide.

Then by the many paths of the thousand openings in the lattice the falling shower rains down a foul dew, which the priest buried within catches, putting his shameful head under all the drops, defiled both in his clothing and in all his body.

Yea, he throws back his face, he puts his cheeks in the way of the blood, he puts under it his ears and lips, he interposes his nostrils, he washes his very eyes with the fluid, nor does he even spare his throat but moistens his tongue, until he actually drinks the dark gore.

Afterwards, the flamens draw the corpse, stiffening now that the blood has gone forth, off the lattice, and the pontiff, horrible in appearance, comes forth, and shows his wet head, his beard heavy with blood, his dripping fillets and sodden garments.

This man, defiled with such contagions and foul with the gore of the recent sacrifice, all hail and worship at a distance, because profane blood and a dead ox have washed him while concealed in a filthy cave.

Taurobolium's literal meaning means 'the lassoing of the bull', but its allegorical meaning is the 'the mastery of one's inner-self'.  In Mithraic myth Mithras caught and subdued a bull (caught and subdued his animal self); he then slaughtered the bull (his animal-self) by a dagger thrust in the right side.  Through time the would taurobolium applied to the sacrifice of a bull and the baptism in its blood of a suitably prepared and mature Mithraic initiate.  On attaining the level of piety deemed necessary to enter the higher spiritual plane and eternal life, the initiate undertook the rite of the taurobolium to confirm his proto-divine state. 

Cybele was associated with the mystery religion concerning her son, Attis, who was castrated and resurrected. Her most ecstatic followers were males who ritually castrated themselves, and then assumed "female" identities by wearing women's clothing. These eunuch were referred to by the third-century commentator Callimachus in the feminine Gallai, and who other contemporary commentators in ancient Greece and Rome referred to as Gallosor Galli.

These castrated "priestesses" led the people in orgiastic ceremonies with wild music, drumming, dancing and drink. The Phrygian kurbantes or Corybantes, expressed her ecstatic and orgiastic cult in music, especially drumming, clashing of shields and spears, dancing, singing and shouts, all at night. Additionally, the dactyls (Greek for "fingers") were small phallic male beings associated with the Great Mother, Cybele, and part of her retinue.

The "Hero Pattern" - Lord Raglan

The Hero Pattern

1. Hero's mother is a royal virgin; 

2. His father is a king, and 

3. Often a near relative of his mother, but 

4. The circumstances of his conception are unusual, and 

5. He is also reputed to be the son of a god. 

6. At birth an attempt is made, usually by his father or his maternal grand father to kill him, but 

7. he is spirited away, and 

8. Reared by foster -parents in a far country. 

9. We are told nothing of his childhood, but 

10. On reaching manhood he returns or goes to his future Kingdom. 

11. After a victory over the king and/or a giant, dragon, or wild beast, 

12. He marries a princess, often the daughter of his predecessor and 

13. And becomes king. 

14. For a time he reigns uneventfully and 

15. Prescribes laws, but 

16. Later he loses favor with the gods and/or his subjects, and 

17. Is driven from the throne and city, after which 

18. He meets with a mysterious death, 

19. Often at the top of a hill, 

20. His children, if any do not succeed him. 

21. His body is not buried, but nevertheless 

22. He has one or more holy sepulchres

Michael Sexson on his downtime!

No wonder he has us grade our own papers..  More time to FIST PUMP!

Class Notes 9/29

Michael Sexson wants us to make our own discoveries.
-Labyrinth
-The Magus = The Game (based on the novel)
-Fic [to make up] ---> fiction ----> sacra [sacred]

Minotaurs mom, Pasiphae saw a beautiful white bull, made cow suit and mated with cow.
Created Minotaur, half bull/half man, put into labyrinth. Male/female virgins were sacrificed as food.
Shortage of virgins = call for hero.
Theseus goes to kill minotaur with help from Ariadne to get into labyrinth.
Leaves her on island, rescued by Dionysus.
[Bozo is Oz]
Dionysus - god of illusions/function to dissemble any structure of order.
Sibyl - knew many things (ancient oracle)
Discussed Fall
"I've got miles to go before I sleep, and miles to go before I sleep."
"May your dreams come true"
*draw a spiral w/ 9 turns on a dancing ground w/ her in the middle.  HMMMmm..
4 creation stories:
4) God creates by his voice - biblical.
3) Goddess body
2) Female - Snake (shed skin, live eternally)
1) Female (alone)

Tuesday - break into groups.  COME TO CLASS!


One of our homework assignments was to have a dream and blog about it.  Unfortunately, each one of my classes decided to bombard me with school work.. so minimal sleep means minimal dreams. I do not remember having any dreams this past weekend, but I did read over Junipers dream about kicking some metal spiders ashes with AK's in a post apocalyptic world. I just have to ask, what were you on that night? This dream sounded pretty intense, I liked that you recognized you were in a post apocalyptic world and yet you still managed to stop by your relatives place to say goodbye. I don't usually break down dreams but perhaps that showed some deeper emotion that you don't want to leave this world as you know it without having some sort of closure with your loved ones.  I also enjoyed the fact that her aunt and uncle forked over some extra clips of ammunition.  Kinda shows that even when you are proceeding on a difficult task, your family will always be there to help you along your way. Juniper felt that she woke up in the middle of her dream, but with comforting messages like these, maybe that was all the dream that she needed.

The story of Nachiketa

"The perfect brings death upon itself.  'What is full, is perfect, and coronation signifies perfection of some kind.'  So says Athenaeus.  Animals for sacrifice would only be crowned once it was clear that they were perfect, 'so as not to kill something that was not useful"  (Calasso 111).

This quote really stuck out to me because it focuses on the importance of offering the most perfect sacrifice, giving only their best to the gods.  As I was reading this quotation, I couldn't help but be reminded of a story we had learned in my study of Hinduism class not too long ago about a boy named Nachiketa.  

In the story of Nachiketa, his father Vājashrava, desiring a gift from the gods, started an offering to donate all his possessions. But Nachiketa noticed that he was donating only the cows that were old, blind, or lame; not such as might buy the worshiper a place in Heaven. Nachiketa wanting the best for his father's rite, asked: "I too am yours, to which god will you offer me?". After being pestered thus, he answered in a fit of anger, "I give you to Yama (Death)!"

Nachiketa then went to Death's home, but the god was out, and he waited three days. When Yama returned, he was sorry to see that a Brahman guest had been waiting so long. He told Nachiketa, "You have waited in my house for three days without hospitality, therefore ask three boons of me". Nachiketa first asked for peace for his father and himself. Yama agreed. Next, Nachiketa wished to learn the sacred fire sacrifice, which Yama also allowed. For his third boon, Nachiketa asked to learn the mystery of what comes after death.

Yama was reluctant on this question; he said that this had been a mystery even to the gods. He asked Nachiketa to ask for some other boon and offered many material gains, but Nachiketa replied that material things will last only till the morrow. He who has encountered Death personally, how can he desire wealth? No other boon would do. Yama was secretly pleased with this disciple, and elaborated on the nature of the true Self, which persists beyond death. The key of the realization is that this Self (within each person) is inseparable from Brahman, the supreme spirit, the vital force in the universe.

Personally, I would find it extremely troublesome to offer up my finest animals, riches, especially my virgin daughter. There's no way I would be able to let go at the snap of a finger, but then again something tells me I only feel this way because I live in our current day in age, god is not as involved as he would have been in Europa's time. But through the story of Nachiketa, I have learned that material things are worthless, we should not fuss or cry over lost belongings, in time we will grow past the little things and begin to enjoy what really speaks to your spirit.

But how did it all begin?

"Mythical figures live many lives, die many deaths, and in this they differ from the characters we find in novels, who can never go beyond the single gesture.  But in each of these lives and deaths all the othes are present, and we can hear their echo.  Only when we become aware of a sudden consistency between incompatibles can we say we have crossed the threshold of myth."    - Calasso 23.

When I first began reading the Marriage of Cadmus and Harmony, I started taking extreme notes on all the characters and their actions, trying to remember their whole story.  Shortly into the book, I realized this entire story was going to contain multiple characters with countless stories; all equally important but still an over-abundance of info.  This lead to the realization that each individual story is a transition into another, each dipicting similar characteristics or mistakes made which lead to their demise.  That instantly opened my eyes, no one story is legitimately unique. There have been numerous characters and tales in this story we call Earth and it is clear that many have followed the same path, which ultimately presents me with one final question: who's story am I living?